ERROR DE PARALAJE - "Imagen Latente" reviewed by Spiritflesh / _Nsigned.com


"Well, I have to say I feel very comfortable reviewing the album Imagen latente. It is music in Spanish, my native language, and in a style that I listened to extensively during my early years of musical development: post punk.

The album opens with a fantastic track, A Veces Llueve, which almost immediately reminded me of Alaska y Los Pegamoides, one of the fundamental bands of La Movida, the countercultural movement that emerged during Spain's transition to democracy. I feel there is a lot of Olvido Gara in the singer of ERROR DE PARALAJE, as well as in the 80s sound that characterized many of the bands from that era.

As the album progresses, this connection with Spanish post punk, and punk as a whole, becomes even stronger. I feel that this band's sound could hardly have emerged anywhere other than Spain. Their Iberian identity comes through in every aspect of their music. I found this incredibly refreshing, since it is something that happens less and less in today's hyperconnected world, where the local eventually dissolves into the global.

Another track I really enjoyed is Nada, with lyrics that sit somewhere between anhedonia and nihilism, while at the same time being incredibly fun and danceable. I think that also applies perfectly to the entire album. I am sure you will have a great time listening to it from beginning to end, dancing all the way through.

As an Argentine musician who loves Spanish post punk, and who also lives in Asturias, Spain, I have to say that this band from Granada has truly reached my heart. This is a highly recommended album. I will definitely be coming back to it, and I hope I get the chance to see them live one of these days." 

Text by Spiritflesh / _Nsigned.com

Viernes 7 de agosto ¡Black Friday por tiempo indeterminado, hasta acabar las ofertas o existencias!

 


Bandcamp Fridays began in March of 2020 at the height of the Covid-19 pandemic when the shuttering of venues led to a loss of vital tour revenue for artists. Since then, Bandcamp Fridays—on which we waive our revenue share and pass the funds directly to artists & labels—has resulted in millions of fans paying over $120 million directly to labels and musicians they love. In addition to helping artists pay the rent, or fund album recordings and tours, Bandcamp Fridays have also become a beacon for artists and record labels looking to raise awareness for causes or raise money for charities.

The next Bandcamp Friday of 2026 will be this Friday, May 1st. You can help us spread the word by downloading these handy social assets.

And we’re happy to announce that Bandcamp Fridays will be continuing in 2026! Find the dates below, and mark your calendars:

  • August 7th
  • September 4th
  • October 2nd
  • November 6th
  • December 4th

Thanks for your continued support of independent music and the people who make it.

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[Campaign in English:]
Black Friday Everytime! sale now on... Black Friday Sale - Up To 90% Off Digital complete Discography!.... Look at our 58 available references and enjoy of Black Friday with Collector's Series DIY Crew for way of '25th Anniversary' actions.
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[Campaña en Castellano:]
¡Black Friday por tiempo indeterminado! (hasta acabar ofertas y/o existencias)... Oferta de Black Friday: ¡hasta un 90% de descuento en la discografía digital completa!... Mira nuestras 56 referencias disponibles o Merchandising y disfruta del Black Friday por tiempo indeterminado con Collector's Series DIY 'Crew' dispuestos a lo que haga falta con las acciones necesarias rumbo a culminar el '25 Aniversario' del sello de marras. 
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Möney - "Hegemony" reviewed by Thomas / _Nsigned.com


"Do I know what egg punk is? I've certainly heard the term before, I have a feeling someone once called me egg punk. Whatever the meaning, Bristol-based band MÖNEY self identify as egg punk, and if their EP Hegemony is anything to go by, I like egg punk.

The EP consists of five tracks, starting with a one-two punk of Poisoned Again and No One Can Stop Me. Both are fast, loud, and surfy punk rock songs that do a great job at introducing you to who this lot are. There's an energy to the music that is seldom seen in more recent releases, nothing sounds sequenced or synthetic, and I wouldn't be surprised if the whole track was recorded as one live performance. The recording and the mix would be enough to make a TikTok music production influencer weep and that alone is pretty refreshing, it's lofi but without feeling like anything has been held back by the mix. These two tracks are quite similar in feel but I think they each stand up on their own two feet as well, at times evoking some of the Dead Kennedy's more fun moments.

If you were worried about this band being a bit one note though, you would be relieved upon hearing title track, Hegemony. Unlike the first two songs (and the as-yet-unmentioned fourth song, UCSOM (Ultra Capitalist State Of Mind), this one is slower and moodier, swapping its surfy aesthetics for something much more aligned with post-punk. The way the drums and bass groove and are complimented by a shimmering lead guitar part and passionate shouted vocals make for something really compelling, a track worth naming an EP after. It's really, really great.

That leaves us with the fifth and final track, the wonderfully titled Traditionally, power was what was seen, what was shown, and what was manifested...Disciplinary power, on the other hand, is exercised through its invisibility. Where the tracks prior to this were traditional songs, this one is an instrumental tone piece. Six minutes of introspection, of ambient hums and swirling guitar warbles, that feels as oppressive as something like Godspeed You! Black Emperor's darker and less explosive pieces. It's very cool, and despite being quite different and less traditional than the tracks that preceded it, it's something that I think would still sit well with anyone who liked those earlier songs.

MÖNEY are part of the Collector's Series DIY label. I had reviewed a compilation they put out a while ago and loved the hell out of it, and this EP gives me a lot of the same feelings. Of finding joy in energetic and raw sounding punk music, a genre that's simple on the surface but has an infinite depth that means it never gets old even if I myself will continue to age. I dunno if it's egg punk and I dunno if I'm egg punk but I do know that this EP is worth a crack." 

 Text by Thomas / _Nsigned.com

From Obstinato to Thomas: Once again, our sincerest thanks and congratulations on your brilliant review. One of the primary goals of our distribution and label is to share our work across various media outlets. It is incredibly important to see that the message—in this case, from a project that sought our help and with whom we deeply identified regarding our musical philosophy—resonates with others. It is gratifying to connect with people involved in culture or counter-culture who are moved by the same sentiments and messages that make us feel good—people who share our principles. Principles that, rooted in humility, always strive to uphold humanism and respect for the environment and those around us. Although Möney hail from Bristol, they have ties to the Alpujarra region of Granada (Andalusia, Spain). I suppose "Eggs Punk" could be interpreted as "Punk with guts" (or "uncensored" punk—playing on the metaphor of eggs as testicles or ovaries). Mind you, I’m not entirely certain; but for anyone visiting Granada—a place where veteran punks and hippies live amidst mountain landscapes and a generally combative culture—it’s likely that these British artists absorbed something of the spirit of the ancient Nasrid Kingdom of Granada.