Viernes 7 de agosto ¡Black Friday por tiempo indeterminado, hasta acabar las ofertas o existencias!

 

Bandcamp Fridays began in March of 2020 at the height of the Covid-19 pandemic when the shuttering of venues led to a loss of vital tour revenue for artists. Since then, Bandcamp Fridays—on which we waive our revenue share and pass the funds directly to artists & labels—has resulted in millions of fans paying over $120 million directly to labels and musicians they love. In addition to helping artists pay the rent, or fund album recordings and tours, Bandcamp Fridays have also become a beacon for artists and record labels looking to raise awareness for causes or raise money for charities.

The final Bandcamp Friday of 2025 will be this Friday, December 5th. You can help us spread the word by downloading these handy social assets.

And we’re happy to announce that Bandcamp Fridays will be continuing in 2026! Find the dates below, and mark your calendars:

• August 7th
• September 4th
• October 2nd
• November 6th
• December 4th

Thanks for your continued support of independent music and the people who make it.

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[Campaign in English:]
Black Friday Everytime! sale now on... Black Friday Sale - Up To 90% Off Digital complete Discography!.... Look at our 58 available references and enjoy of Black Friday with Collector's Series DIY Crew for way of '25th Anniversary' actions.
Copy & paste, share it!!

 

[Campaña en Castellano:]

¡Black Friday por tiempo indeterminado! (hasta acabar ofertas y/o existencias)... Oferta de Black Friday: ¡hasta un 90% de descuento en la discografía digital completa!... Mira nuestras 56 referencias disponibles o Merchandising y disfruta del Black Friday por tiempo indeterminado con Collector's Series DIY 'Crew' dispuestos a lo que haga falta con las acciones necesarias rumbo a culminar el '25 Aniversario' del sello de marras. 
Copia y pega, corre la voz!!

Möney - "Hegemony" reviewed by Thomas / _Nsigned.com

"Do I know what egg punk is? I've certainly heard the term before, I have a feeling someone once called me egg punk. Whatever the meaning, Bristol-based band MÖNEY self identify as egg punk, and if their EP Hegemony is anything to go by, I like egg punk.

The EP consists of five tracks, starting with a one-two punk of Poisoned Again and No One Can Stop Me. Both are fast, loud, and surfy punk rock songs that do a great job at introducing you to who this lot are. There's an energy to the music that is seldom seen in more recent releases, nothing sounds sequenced or synthetic, and I wouldn't be surprised if the whole track was recorded as one live performance. The recording and the mix would be enough to make a TikTok music production influencer weep and that alone is pretty refreshing, it's lofi but without feeling like anything has been held back by the mix. These two tracks are quite similar in feel but I think they each stand up on their own two feet as well, at times evoking some of the Dead Kennedy's more fun moments.

If you were worried about this band being a bit one note though, you would be relieved upon hearing title track, Hegemony. Unlike the first two songs (and the as-yet-unmentioned fourth song, UCSOM (Ultra Capitalist State Of Mind), this one is slower and moodier, swapping its surfy aesthetics for something much more aligned with post-punk. The way the drums and bass groove and are complimented by a shimmering lead guitar part and passionate shouted vocals make for something really compelling, a track worth naming an EP after. It's really, really great.

That leaves us with the fifth and final track, the wonderfully titled Traditionally, power was what was seen, what was shown, and what was manifested...Disciplinary power, on the other hand, is exercised through its invisibility. Where the tracks prior to this were traditional songs, this one is an instrumental tone piece. Six minutes of introspection, of ambient hums and swirling guitar warbles, that feels as oppressive as something like Godspeed You! Black Emperor's darker and less explosive pieces. It's very cool, and despite being quite different and less traditional than the tracks that preceded it, it's something that I think would still sit well with anyone who liked those earlier songs.

MÖNEY are part of the Collector's Series DIY label. I had reviewed a compilation they put out a while ago and loved the hell out of it, and this EP gives me a lot of the same feelings. Of finding joy in energetic and raw sounding punk music, a genre that's simple on the surface but has an infinite depth that means it never gets old even if I myself will continue to age. I dunno if it's egg punk and I dunno if I'm egg punk but I do know that this EP is worth a crack." 

 Text by Thomas / _Nsigned.com. 

From Obstinato to Thomas: Once again, our sincerest thanks and congratulations on your brilliant review. One of the primary goals of our distribution and label is to share our work across various media outlets. It is incredibly important to see that the message—in this case, from a project that sought our help and with whom we deeply identified regarding our musical philosophy—resonates with others. It is gratifying to connect with people involved in culture or counter-culture who are moved by the same sentiments and messages that make us feel good—people who share our principles. Principles that, rooted in humility, always strive to uphold humanism and respect for the environment and those around us. Although Möney hail from Bristol, they have ties to the Alpujarra region of Granada (Andalusia, Spain). I suppose "Eggs Punk" could be interpreted as "Punk with guts" (or "uncensored" punk—playing on the metaphor of eggs as testicles or ovaries). Mind you, I’m not entirely certain; but for anyone visiting Granada—a place where veteran punks and hippies live amidst mountain landscapes and a generally combative culture—it’s likely that these British artists absorbed something of the spirit of the ancient Nasrid Kingdom of Granada.

12 Aullidos 'The Discography Album' legado de alto octanaje no apto para pusilánimes

12 Aullidos, es una de esas bandas prodigiosas, que trasciende al propio underground, que la vio nacer. Compuesta en su día, por miembros que comparten lazos con otras 'rara avis' de la Costa del Sol y más concretamente, con la Fuengirola más rebelde y 'hardcoreta', tipo Freak Show o Poor Side Head. En este caso, el Hardcore y la filosofía 'Do It Yourself' se erigen como el motor y nexo de unión, de 12 Aullidos y tantos proyectos, que a día de hoy, son recordados, como auténticos portadores del grito de rabia e inconformismo de toda una generación. Potente legado de generaciones anteriores y de cómo las distintas escenas del Punk de los 80s, fueron sorteando consabidos obstáculos y tomaron por derecho el relevo. En plena explosión contracultural de los 90s, prosiguiendo con dicha herencia en los albores del siglo XXI. En este marco transicional y definición, se encuadra sin duda a 12 Aullidos. Cuando 'K7' incendiarias como 'En Lo Más Oscuro De La Noche' o vinilos afilados propagaban el mensaje ácido y crítico que cimientan las bases de posteriores reediciones o participaciones en recopilaciones de alto octanaje. Como por ejemplo, la encomiable labor difusora de Daniel Ferrero, batería original de 12 Aullidos, gestor del sello y distribuidora Putojefe Records, desde Berlín (Alemania), que para el caso que nos ocupa, recopila todas las grabaciones de 12 Aullidos, bajo el explicativo título genérico 'The Discography Album'. Álbum repleto de punzantes letras, en donde el Hardcore convive con otros subgéneros del 'ruido' que nace de las entrañas y se alía con el corazón, llámese 'Screamo' o Powerviolence. Melodías y letras que emanan de los barrios del extrarradio de las grandes ciudades o la cara menos amable de la sociedad. En donde depresión socioeconómica, convive con destellos de existencialismo. Hay mucha poesía en sus canciones, en donde la fina línea, que separa la vida, de la muerte, está muy presente. Hay claras influencias del 'Hardcore' y 'Crossover', que en su momento sentaron las bases, pioneros del género como: Bad Brains o el 'Straight Edge' de los singulares y metódicos Minor Threat. Ambas formaciones, curiosamente pertenecientes a la siempre reconocida y reivindicativa escena de Washington D.C. (USA). Y una vez más, se pone de manifiesto, de cómo las distintas escenas, se conectaban, a traves de toda una red alternativa de comunicación, cuando cartas manuscritas y grandes dosis de imaginación, difundían artefactos en cintas de cromo o hierro y ríos de tinta vertidos en fanzines o revistas alternativas epítomes de la contracultura, que iban engrosando la maquinaria del 'under' más peleón y contestatario. Me cuesta destacar algún tema sobre otro, porque me parecen todos geniales y a pesar de en origen, pertenecer a distintos trabajos, suman un todo de mucha cohesión y coherencia sonora y mensaje bestial, muchas veces bañado de agridulce ironía, que roza por momentos un sarcasmo exacerbado, con respecto a la sincronía de sistemas o subsistemas a niveles psicosociales o incluso filosóficos. Títulos sorprendentes y muy avanzados para su época: 'Última Y Definitiva Estampida De Perros', 'Actos Involuntarios', 'Romanticismo Cadavérico', 'Quiero Ser Invisible', 'Diario Mudo De Un Analfabeto' o 'Música Jeringuilla'. Que siguen pero que muy vigentes, tanto, para todos aquellos que busquen emociones fuertes e inclusive, para apasionados del dBeat o Crust, muy en boga, en los últimos años, entre los seguidores a subgéneros entronizados o seminales del Punk. El legado atemporal registrado por Fali Ponce a la voz; David Recio al bajo o las guitrras de J. Manuel Merino y Mateo Marín; junto a las baquetas de Daniel Ferrero, quedará para siempre, grabado a fuego, en la memoria colectiva del underground malagueño y de la Costa del Sol más transgresora.