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GHOST:WHALE - "[CS-063] / 'Dive:two'" album review


"Shamanistic rock with punk energies was my first, unlasting, impression. It was still true three tracks in: long, very repetitive, trance-inducing music for shamans and others wanting to reach a higher or altered state. The slow beat of the drum keeps you anchored. You don't want to float off entirely. Not a lot is happening, but a purpose is forming. What sets the tracks apart the most is intros and outros.

Track titles don't really support my first impression, except "La danse des sorcieres" ["Dance of the sourcerers"]. Other track titles, as well as the album title, suggest the ocean being a theme and especially giant sea creatures. The wall-of-text album description, which I skimmed through, supports this. The description also mentions stoner rock, which seems fitting. Mostly instrumental: drums and what sounds like electric guitar and bass (with emphasis on bass). Standard rock set-up, expect a few samples and maybe an occasional keyboard or synth on a few tracks for sound effects. Most tracks are at least 10 minutes long. Shortest is 8:59 and longest 21:38. Make sure you have at least two hours free before you embark.

First track, "Under pressure", starts with water and a croaking bird, I'm guessing a black crow or a raven; nature worthy of a ritual rooted in ancient history. Non-verbal wailing-like vocals, but mid-pitched, like that of a human mimicking an animal? Otherwise purely instrumental. Second and third tracks ["La danse des sorcieres" and "Últimas palabras" ["Last words"] respectively], have the same set-up, except with vocal samples of someone speaking, not sure about what. Track #2 starts with what sounds like glockenspiel.

Track #4, "Godzilla", still has that lo-fi distorted punkrock energy, albeit slow, still long and repetitive, but the trance is broken. The tempo is fleeting. Seems unstable. Sometimes faster, sometimes slower, just slightly. Our ship is sailing off to wherever the sea decides. You earn your sealegs. Why is it named after a giant lizard-creature? Are we out to sea hunting it down?

Track #5, "Eye of the storm", delivers some of that variation I crave and starts with a more easy-going electronic sounding synth loop slowly fading in from silence and eventually being accompanied by harsher drone-like sound effects and distorted guitar drones. The sounds of a storm, if you will [because title]. This goes on for quite a while. It's one of the longer tracks, clocking in at 21:20.

The album finishes with three tracks about "dubwhales", bringing onboard more variation. Some cool disruptive drumming going on here, most prominent in dubwhale II & III. Any deviations are mostly like a drop in the ocean, though. Not sure what a dubwhale is, other than a whale listening to dub or a large creation with slight dub-vibes.

All in all, "Dive:two" by GHOST:WHALE, is like a nice warm blanket of sound, noise-cancelling and as brutal as it is soothing. Deep and bass-heavy rock for stoners and others ready for a long journey out at sea—or inside it, under it, deep below the surface."

By Maskinkultur / _nsigned.com.

Take a look at this review posted on _nsigned! GHOST:WHALE - 'Dive:two' album review by Maskinkultur.

Various Artists, Varios Artistas... - "Discography complete - Special edition campaign 25th Anniversary" album review by Thomas / _Nsigned.com

"Please allow me to wax nostalgic for a moment because it's going to be relevant. So, in the year 2000 when I was 14 years old there was a CD shop in my hometown called Bionic, and this was my favourite shop. I got I think £8 per week pocket money and CDs from Bionic typically cost between £10 and £15 so that meant that at least every two weeks I could buy a new CD. Often these would be from bands I already knew, but sometimes they would be things I just liked the look of. That would be especially true if it felt like something where I was going to get a lot of bang for my buck, such big punk compilations like Short Music for Short People. Discography complete - Special edition campaign 25th Anniversary feels like the kind of thing I would have bought at Bionic, despite the considerably less catchy title.

This is a compilation made up of tracks recorded between 1999 and 2024, and something that's interesting is that I have no sense of when each track was recorded because it feels so cohesive and, more important, everything feels like it could have come from 1999. That's not a bad thing, but all 30 tracks (excluding the sampler at the start) are these raw sounding garage recordings where I'm pretty sure every instrument you hear is an authentic live recording. No sequencing whatsoever.

Every song is great, too. There wasn't a single dull moment. The vast majority of it falls somewhere in the punk sphere, with some songs leaning more hardcore and others leaning poppy, with a surprising number of surfy songs tracks, too.

On the hardcore end, highlights include the colossally noisy Grita by MG15, and the anthemic Esta noche vas a triunfar by Bodega Caníbal. The poppier side includes the jaunty Cómo sobrevivir a una peli de terror by Smoking Victims and the really quite fantastic Mejor sin ti by La Plaga.

All of this is stuff my 14 year old Bionic-shopping Tony Hawk's Pro Skater 2 playing self would have absolutely loved, and my slightly curmudgeonly 40 year old self loves it, too.

The less punky stuff comes in a few different forms. There's the Thin Lizzy meets Rick Springfield classic rock of Qué hago yo aqui by Johnny B. Nasty & The Rock Circus, the fun and retro acoustic rock 'n' roller Pensando en ti by La Quinta Del Sordo, and the big and moody indie rocker Bad fever by Blackberry Clouds, which is one of my favourites here.

You may have noticed, reading this, that a lot of these songs have Spanish titles. I'm not entirely sure where these artist come from, I'm assuming Spain but it could be Mexico or somewhere else, but I should admit that I have no idea what any of these songs are saying. It didn't affect my enjoyment, either way.

This is an excellent compilation. Really great. One that reminded me of why my young self fell in love with alternative music in the first place. At 90+ minutes, it's a long haul, but at no point did I find myself wanting to skip ahead. I loved it". 

Text by Thomas / _Nsigned.com. 

I am absolutely delighted that you connected precisely with the message we originally intended to convey through these collections. And I speak not only for myself—as the manager of the record label—but, I am certain, for the other participating artists as well.

...Something that only a true enthusiast and a die-hard music lover could have felt: something that resonates deeply with so many of us who are passionate about music. A shop from the 80s or 90s (reflecting my own generation) and the motivations that bind us to rock in all its forms and across every culture. Sincere thanks Thomas.

Here is a review I prepared for the first installment of the collection. I could also offer some perspective on the local scene where we produced it, as well as on the trajectories of the artists—or, in some cases, guests—coming from other regions...

"Musicians wanting to do different things and originated in the late 70s, cemented the origins of malacitano punk, among punk bands & "new wave" in this spirit we can mention Adrenalina or Sociedad Anonima, seminal bands projects pop rock 80 as Camara and Danza Invisible groups. In the 80, appeared bands like Deskarriados (with another members formed before Fredy Nurky y Komando Suicida), Excomunion, Mucho Morro, DDT, Desamparados En Guirilandia, Capitan Kavernikola, led by Ramone would end up doing covers and intervening as a musician collaborator in projects Extremoduro in the 90s, from the end of the 2000s, Ramone reappears with a new project called Superlumpen. Later, from the mid-90s and well into the 2000s, appeared 12 Aullidos, Rotten Heads, 3 De Bastos, Kataplasma, The Endrogaos, No Picky, Airbag, Kausas Sociales, Malakalaña, La Pila Punk, Enterradores, Kmorra, Smoking Victims, La Plaga, Jarrea, The Castro Zombies & The Mutant Phlegm, Victima O Verdugo, Peste Y Mierda, Pankomio or Peligro Sozial. There's even a project and compilation album, which makes reference to the allegorical alternative and transgressive move of the capital of the Costa del Sol, included in the philosophy "Do it yourself" with designation of Collector's Series..." by Obstinato / PunkExpress".

The first volume is titled “The Incredibles Stories About As The Punks Came From Outer X-pain, Iberian Rock Cities, Collector's Compilation Vol I” (split album limited edition 1000 copies). In this record published by record label and bands own of garage-punk scene of Andalucía (South Spain), appear bands like Toxic Womb, Smoking Victims, Sado After Dead, Mr. Moto, Dirty Sanches, Bodega Canibal, Devil's Dandruff, Hairy Nipples, Icarus Crash or MG15 (in the early 80s called as Slips & Sperma). With important foreign collaborations, such as the participation of the current project of Silvia Escario member of Ultimo Resorte (scene 80s of Barcelona), called Algo Toxico; the legendary punk garage Portuguese band Clockwork Boys; Biscayans urban rock band Salamandras, and nu metal with reminiscent of melodic hardcore of Asturian band Zurdha. Very recomended for people that search good stuff of underground." by Obstinato / PunkExpress  

5-6-7-8 agosto 2026 – Villena, Alicante (España): Leyendas del Rock 2026


 🔥 ACTUALIZACIÓN DE CARTEL LEYENDAS DEL ROCK 2026!

Tras la cancelación completa de la gira europea de Chelsea Grin y por petición popular, los titanes del thrash-hardcore de Manchester, Guilt Trip, cubrirán su puesto en el main stage de la jornada del sábado.

🇩🇪 Por su parte, al New Rock Stage se suman Half Me, una prometedora banda de agresivo metalcore alemán que culmina una jornada de ensueño para cerrar el XX Aniversario.

📅 5-6-7-8 agosto 2026 – Villena, Alicante (España)
🎟 Entradas ya a la venta en leyendasdelrockfestival.com

Lanzamiento de 'Dive:two' doble album disponible en digipack del power trio belga Ghost:Whale

 

Lanzamiento de 'Dive:two' doble album disponible en digipack, continuación de aquel fenomenal y conceptual album titulado 'Echo:one', que nos presentó el power trio belga Ghost:Whale.

Ghost:Whale es una formación belga, compuesta por tres integrantes: un batería, Vicent de Santos y dos bajistas, Yves Vranckx y Lionel Beyet de [P.U.T] y Missiles Of October, éste último, gestor, junto a su hermano Nicolas Beyet del longevo sello underground P.O.G.O. Records*, y que originalmente comenzó como un fanzine. Ambos bajistas también, aportan ‘samples’ a los temas, que le profieren un engrudo aún más experimental, ya desde la primera escucha de su opera prima ‘Echo:one’ que te atrapa sin remisión. Y siguen reafirmándose aún más, en esa misma concepción, quizás algo más producida, con esta nueva secuela titulada ‘Dive:two’, que podríamos denominar, doom metal y stoner rock de corte conceptual y experimental, especialmente por la inclusión de precisamente elementos más propios de la música electrónica.

Para el tema ‘Ghost Whale’ del primer disco 'Echo:one', contaron con la colaboración del saxofonista Bruno Margreth, que realiza un prodigioso ejercicio progresivo con tintes jazzísticos, por si no te hubiera atrapado ya, la oscuridad y densidad de sus composiciones de esta inusual, a la par que genial base rítmica, que también van desarrollando melodías que parecen proceder de lo más profundo de las fosas abisales marinas, al carecer de guitarras eléctricas de seis cuerdas. Cuya particularidad, al final de todo, es meramente anecdótico, porque la genialidad de su sonido, precisamente, radica en la magnífica conjunción del ritmo, a modo de yunque, marcado por la batería de Vicent y los distintos desarrollos que van creando a modo de atrayente atmósfera ténebre abisal, regados con cantos de poderosos y enigmáticos cetáceos, que van manifestándose a lo largo de sus obras, con magnificiencia y dejando constancia de la consabida majestuosidad de estos colosos marinos del reino animal. Estos fantásticos músicos de las cuatro cuerdas y el bordón más grueso, Yves y Lionel, junto con su inconmensurable baterista Vicent, hacen todo un ejercicio de introspección del género doom y stoner, para sin complejos presentarnos esta singular y fenomenal propuesta sonora experimental.

Volviendo, al recientemente lanzado ‘Dive:two’, consta nada más y nada menos que de dos CD y un fantástico artwork, en donde predomina el negro y  que corre a cargo de Sisca Locca, que al igual que su predecesor, Mr. Lib, supo captar esa oscuridad y cadencia pesada, tan característica de estos trabajos sonoros. Y la complementan con sus lápices y técnica muy a lo comic y guiños al estilo ‘neo-noir’. En donde, la oscuridad está muy presente, pero siempre asoma la calavera del fantasma de la ballena, que impertérrito, reclama su debastado y hastiado reino. Y algo tendrá que ‘decir’ ya sea, a modo de protesta del mal acuciado por el hombre en Fukushima, para los discos que nos ocupa rebautizada ‘Fungushima’ de ‘Echo:one’; o todo un monstruo mutante clásico y metafórico, surgido de las devastaciones y desmanes en las guerras y excesivos experimentos nucleares, como en la pista 4, del CD 1 de ‘Dive:two’, titulado ‘Godzilla’.

Los títulos ‘Dubwhale’ I, II y III , hacen alusión a esa fenomenal mezcolanza entre la electrónica con sonidos más entroncados en el doom metal o stoner, que conforman el CD 2 de este estupendo digipack, también disponible en descarga gratuita con formato digital, a partir del 4 de octubre de 2024 y que tienen planeado en un futuro próximo, lanzar junto con nuevas mezclas y canciones en vinilo, quizás para enero de 2025. Habrá que estar atentos y recibir la buena nueva del año entrante, con cantos de ballena, mejor que de sirena.  


CD ‘Dive:two’ es una co producción entre los siguientes sellos:

P.O.G.O. Records (Bélgica/Francia) http://pogorecords.bandcamp.com

Collector's Series DIY Records ('X-Pain') collectorseriesdiy.bandcamp.com

Forbidden Place Records (USA) www.forbiddenplacerecords.com

Romantic Songs Recordings DIY (Spain) romanticsongsrecordings1.bandcamp.com

Syrup Moose Records (Canadá) syrupmooserecords.ca

Bitume Prods (Francia) www.bitume-prods.fr

Urgence Disk Records (Suiza) www.urgencedisk.ch / urgencedisk@bluewin.ch

Más enlaces relacionados con estos trabajos discográficos, en donde podrás navegar y perderte entre sus oscuros mares:

Ghost:Whale, bandcamp del grupo https://ghostwhale.bandcamp.com

Respecto a los sellos participantes en el debut de esta saga conceptual e hipnótica 'Echo:one', participaron los sellos:

FRANCE/BE:
P.O.G.O. Records- pogorecords.bandcamp.com

FRANCE:
Bonobo stomp - bonobostomp.blogspot.com

FRANCE.
Bitume Records - bitumeprods.bandcamp.com

SWISS:
Urgence Disk - www.urgencedisk.ch - urgencedisk@bluewin.ch

THAILAND:
Tenzenmen
- tenzenmen.bandcamp.com

USA:
Forbidden Place Records - forbiddenplacerecords.bandcamp.com

Ediciones especiales:
Suecia
Una edición especial hecha a mano, en edición limitada a 33 copias por Clouded Mind Records
cloudedmindrecords.bandcamp.com
www.facebook.com/cloudedmindrecords

USA
 Edición en Cinta de Cassette:
The Ashton Velvet Rock Club Recording Company (USA)
avrcrc.bandcamp.com

Notas (*):

P.O.G.O. Records, originalmente se fundó como fanzine musical y es el acrónimo de 'Pour des Oreilles Grandes Ouvertes' = 'Para Oídos Bien Abiertos' en castellano.

Artículo publicado en La Factoría del Ritmo por Obstinato.